Fidel

(Fidel)
Saul Landau | Documentary

1969 | 96 minutes | United States

Just 9 years after Cuba's Revolution, filmmaker Saul Landau joined Fidel Castro in Cuba for an unprecedented interview for this classic documentary.

Synopsis

In May 1968, just nine years after the Cuban Revolution, filmmaker Saul Landau was invited to join Fidel Castro in Cuba for an unprecedented in-depth interview.

Over a week, Landau and Castro traveled through the island's mountainous terrain through various settings, from military camps to a pickup baseball game to Castro's speech on the 15th anniversary of his attack on Fort Moncada which marked the beginning of the Revolution. Landau captured an unparalleled time into the relationship of the Cuban people with their popular leader, at a time when the country was being transformed internally while internationally vilified.

Recently restored and remastered by the National Film Preservation Foundation, Fidel was completed in 1969 using fascinating footage from Cuba's National Archive. The film's release in the U.S. was met with violence in several cities, although it is now considered a classic documentary.

Reviews

"I found it completely absorbing from the start to finish. A tapestry for history." - Rolling Stone

"A masterful portrait" — Gore Vidal

Citation
Main credits

Landau, Saul (film director)
Landau, Saul (screenwriter)
Landau, Saul (film producer)
Saraf, Irving (film director)

Other credits

Cinematography and editing, Irving Saraf.


Citation
Cataloging
Keywords
Fidel,Saul Landau,documentary,Fidel Castro,Cuba,revolution,classic films,cult films,film degree,film major,media studies,film and media studies,film and television studies,film production studies,cinema studies,film history,cinema history,black and white films,silent films,talkies,film music,film accompaniment,early cinema,early 20th century cinema,birth of cinema,birth of color cinema,technicolor,kinemacolor,magic lantern,camera obscura,history,context,narrative,past,chronicle,lore,annals,historic,personal history,archive,record,saga,biography,memoir,study,caribbean studies,the caribbean,caribeean sea,caribbean island,antigua and barbuda,bahamas,barbados,cuba,dominica,dominican republic,grenada,haiti,jamaica,saint kitts and nevis,st lucia,st vincent and the grenadines,and trinidad and tobago,anguilla,aruba,british virgin islands,caribbean netherlands,bonaire,sint eustatius,saba,cayman islands,curaçao,guadeloupe,martinique,montserrat,puerto rico,saint barthélemy,saint martin/sint maarten,turks and caicos islands,us virgin islands,political science,micropolitics,macropolitics,political theory,political education,political movements,political thinking,political criticism,poly sci,polysci,political sci,political sciences,political history,history of politics,political systems,authority,authoritarianism,dictatorship,military regime,military government,fascism,repression,oppression,political oppression,political repression,far right,far right wing,modern fascism,biography,autobiography,biopic,memoir,life history,bio,biographer,biographical,personal account,personal history,diary,personal narrative,sketch,profile,personal letters,letters,journal,personal record,communications,journalism,news,information,media,new media,newspaper,newspaper,blogs,news site,news app,pulling string,gathering string,reporting,fourth estate,news media,journalists,journalist,reporters,reporter,economics,social class,money,capital,capitalism,class,economy,prejudice,intersectionality,inequality,poverty,income gap,wage gap,class warfare,elitism,snobbery,bourgeois,poverty,upper class,middle class,lower class,nouveau riche,latin american studies,caribbean american studies,island studies,latin american culture,latin american history,latin american politics, caribbean american culture,caribbean american history,caribbean american politics, latin american languages,latin american and caribbean studies,hispanic american studies,hispanic people,hispanic culture,hispanic politics; "Fidel"; Pragda Films
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Festivals

Reflecting on an encounter four decades ago...

By late May 2007, Fidel Castro appeared to have recuperated from a difficult operation followed by a life-threatening infection. Instead of returning to public view in his ubiquitous uniform, he has transformed himself—at least temporarily—into a columnist for Granma, Cuba's daily newspaper. In his columns he addresses the dangers and irrationality of converting corn into ethanol, using food that could feed the world's starving and hungry and transforming it into gasoline for the wealthy while further contributing to global warming; Bush's dangerous and inhumane war policies; the idiocy of England's new nuclear submarine, and the insanity of designing new Cold War weapons—all in the age of impending catastrophic climate change.

The essayist Fidel exudes the same sense of astute practicality—a devastatingly cold grip on reality—combined with a seemingly inexhaustible optimism about the future, including the potential for creating one day the perfect human species, physically and morally. As I remember him in 1968, this political giant of our times had merged his Jesuitical education with texts from José Martí and the Cuban revolutionaries of the 1860s (don't forget Bolívar) and then Marx and Lenin, along with studies of agronomy and animal husbandry. This voracious reader and cosmopolitan intellect has also been the Machiavellian politician of the third world—getting the United States to import Cuba's enemies—and has emerged as the sole survivor of nearly fifty years of U.S. imperial wrath. The politician who has plotted the course of the Cuban revolution, from taking power to holding it, also has an opposite side. Don Quijote also lives inside Fidel Castro. This is reflected in Cuba's programs, bringing medical students from around the world to Cuba to become doctors at no cost and sending doctors to wherever Nature strikes the poor—Fidel offered them to the people of New Orleans after Hurricane Katrina, but Bush naturally refused.

As I read his essays, in Granma, I think back almost forty years to the amazing jeep ride through the undeveloped mountain villages of eastern Cuba, during the filming of Fidel (1968), produced for public television. —Saul Landau

DIRECTOR: Saul Landau

NATIONALITY: United States

YEAR: 1969

GENRE: Documentary

LANGUAGE: Spanish

COLOR / B&W: Color

GRADE LEVEL: High School, College, Adult

SUBTITLE/CC: AVAILABLE

AUDIO DESCRIPTION: NOT AVAILABLE

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